Drawings almost every day by Romney David Smith and Tarragon Smith. Occasionally paintings or etchings or silkscreens. Or whatever else catches our fancy.
Thursday, April 30, 2015
Monday, April 27, 2015
Saturday, April 25, 2015
Friday, April 24, 2015
don't wanna be
Robert is a beast of burden. But Jacki is not really that heavy. It's a one minute sketch, done with a china marker.
Thursday, April 23, 2015
"few rap songs are about sexual inadequacy"
Drawing with the Collective in Toronto, fellow sketcher Francis F. made the observation. I wrote it down mid-drawing.
Tuesday, April 21, 2015
warm-ups
Life drawing quick sketches, each done in about a minute. Or maybe two, in the case of the face on the right.
Sunday, April 19, 2015
Santa Maria di Salute, Venice
A view across the quay and the loitering gondolas at the vast baroque church of Salute. It's the kind of view that's been done a thousand times but remains irresistible.
It's an etching, about 4" by 6," printed at the Open Studio in Toronto, Ontario. The uniform blue was applied with a technique called chine collé, in which a layer of tissue-thin tinted paper is laid down between the etching plate and the support paper.
It's an etching, about 4" by 6," printed at the Open Studio in Toronto, Ontario. The uniform blue was applied with a technique called chine collé, in which a layer of tissue-thin tinted paper is laid down between the etching plate and the support paper.
Saturday, April 18, 2015
Thursday, April 16, 2015
Wednesday, April 15, 2015
Tuesday, April 14, 2015
Monday, April 13, 2015
Anna in a striped dress
A quick photo of a painting in progress. The dress will be in colour, and the big rectangle will too - it will be a hanging carpet of some sort. The pineapple like object will probably become a bust - but we'll see.
Saturday, April 11, 2015
Friday, April 10, 2015
Thursday, April 9, 2015
Venice - the gondolas on the Riva degli Schiavoni
It was a cool November evening when I sat down on the embankment to make this picture.
I was in a hurry. The shapes were quickly sketched in with a black crayon, and then rounded out with watercolour. Although I started with lines - as I almost always do - the picture quickly became about mass and pattern. The final touches were added in gouache; you can see its opaque layers where the blue covers of the gondolas are visible above the dock.
In the background, San Giorgio Maggiore was a box of shadows, except for its brilliant marble facade, which here merges with the air.
I was in a hurry. The shapes were quickly sketched in with a black crayon, and then rounded out with watercolour. Although I started with lines - as I almost always do - the picture quickly became about mass and pattern. The final touches were added in gouache; you can see its opaque layers where the blue covers of the gondolas are visible above the dock.
In the background, San Giorgio Maggiore was a box of shadows, except for its brilliant marble facade, which here merges with the air.
Wednesday, April 8, 2015
Tuesday, April 7, 2015
Saturday, April 4, 2015
Friday, April 3, 2015
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