It was a cool November evening when I sat down on the embankment to make this picture.
I was in a hurry. The shapes were quickly sketched in with a black crayon, and then rounded out with watercolour. Although I started with lines - as I almost always do - the picture quickly became about mass and pattern. The final touches were added in gouache; you can see its opaque layers where the blue covers of the gondolas are visible above the dock.
In the background, San Giorgio Maggiore was a box of shadows, except for its brilliant marble facade, which here merges with the air.
No comments:
Post a Comment